Martin launched its carved-top guitars in June 1931. They were offered in three models; C-1, C-2 and C-3, with the C-3 guitars being the most expensive. These carved-top guitars were based on the same 000-size body used for the flat top guitars.
However, Martin took a different approach to making arched-top guitars compared to its competitors. Martin opted to keep a basically flat back and continued to glue the fingerboard extension to the top of the guitar while most arched-top guitars had an elevated fingerboard. To compensate the neck angle was greater than most other arched-top guitars.
The C-3 came in two versions, the early guitars having a round sound hole and the later ones having f-holes. Only forty-six C-3 guitars were made with the round hole. The C-3 guitar in this entry was the 21st C-3 made.
The C-3 guitars were the most expensive regular production instrument made by Martin in 1931. I had a retail price of $200, $20 m0re than a OM-45. C-3 guitars are also very scarce with only 109 C-3, two C-3S and one C-3TS guitars being made between 1931 and 1934.
Serial number 49524 was stamped on December 29, 1931 and cleared final inspection on January 15, 1932.
The original tuners are clipped plate Grover G-98 machines although three have been replaced with later types of machines.
The case its original to the guitars and appears to be a Style C case.
Style C-3 features:
Back and sides: Brazilian rosewood
Top: Most carved-top Martin guitars had Sitka spruce tops, although a few Adirondack spruce tops may have been made
Purfling: White and black celluloid lines
Back stripe: Style 45 purfling pattern
Dark top (sunburst finish)
Pearl "C. F. Martin" head stock veneer
Round sound hole with single sound hole ring
Adjustable ebony bridge with ivory saddle
Other period features:
Straight braces (similar to other arch-top guitars)
Pearl "snowflake" fingerboard inlays beginning at the 5th fret
Ebony neck reinforcement
1-3/4" neck width at nut
Ivoroid bound tortoiseshell celluloid pick guard (missing) - see photos below
C. F. Martin & Co. stamp on back of headstock
Photos courtesy of Kansas City Vintage Guitars.
Circa 1936 photo of a young lady playing this guitar when it was almost new, note bound pick guard